This story begins,” Once upon a time…. I met a prospective client through my online store, SilkEscape which showcases my wearable art.” I quickly answered a request, “Could I paint some fabric for a wedding dress?” This wasn’t your average every day wedding dress. Christina knew exactly what she wanted.
She told me about her sweet romance story. David and Christina met 10 years after dating in high school. Once again, they found their original true love. Just before their reunion, Christina was drawn to the mountains of Sedona, Arizona for some unknown reason. She fell in love with the beauty and healing powers of the natural surroundings. Hence, she wanted to share her experience with David. They both agreed this is where they were to be married. The fabric would represent all the values in color of the Sedona earth. This is how my part in the story comes in to play. I was chomping at the bit but had to control myself. I really wanted to make this happen for them.
Typically, it might be difficult to get inside someone’s head unless you engage in lots of conversation to gain trust. This is hard to do when you are working online and you can’t see the person face to face. When I start a commissioned project with a client, I’m evaluating how easy they will be to work with as much as they are doing the same with me. You might say, we are sizing each other up until there is a comfort zone. Why waste each other’s time? Well, it can work for everyone if you take baby steps, charge only for a test or sketch and move on from there.
Long before the start of the final painting, we established a nice working relationship. Christina supplied me with color chips, photos of her concept and a copy of a vintage sewing pattern. I could now evaluate how much the dress would cost regarding the time and fabric it would take. I did my homework by creating initial sketches and color pallettes.
With the input of 50 or so convos and emails, we were off to a terrific start. Above is the sample piece I emailed to Christina to see if I was on the right tract. Some additional conversation was made regarding the flow of color and how it would vignette from a dark shade of bordeaux to a very nude shade of peach. We also discussed which silk would work best for the skirt. It couldn’t be too wimpy, heavy, or too shiney. I ordered one yard each of three fabric weights and finishes. I painted those pieces and shipped them off to Christina. In the end, we both agreed it would be crepe de chine. It is one of the softest to the skin because it has a subtle nub. It’s my favorite.
After final approval of the color values and silk samples, I went to work building very large frames to stretch the silk on. It had to be wide enough for a ample skirt bottom. I think that was the toughest part of my job.
I produced 11 1/2 yards of fabric which just about broke my back because of my deadline. I had to be meticulous in matching color on each sheet of silk so the seams would flow perfectly together. After this process, the silk must be steamed in a steaming unit for 4-6 hours to set the dye colors. After it cools down, I unwrap all the paper and foil off the silk and just stare at my work. I had great success except for a couple spots of imperfection on a sheet or two but I beleived the seamstress could cut around them. I was worried that I might have to paint over some of the sheets of fabric. No, No, please No! My anxiety was pretty heavy at the time as I am a perfectionist and I would paint it over if means satisfying the client. Now, the silk must be rinsed thoroughly to release all dye residue.
Done yet? Nope, not yet! I carefully took every piece out individually and layed them in the sun to air dry. A light pressing, then I boxed it all up with all original concept notes, color chips, sketches and fabric. Off it went to Christina where I hold my breath until she unveils the box.
This is what she said after opening it all up at her busy office!
“Just received. GORGEOUS MICHELE!!! LOVE, LOVE, LOVE!!!
Can’t wait to meet with Rosie and strategize the pattern lay out. I’m sure there will be plenty of fabric. And you really did such a lovely job. The tones are perfect and any “imperfections” just make it what it is… a unique, gorgeous, piece of ART! THANK YOU!!!”
Awwww! I jumped for joy! Now, I can relax…..no……not yet…..not until I see the final dress completed! Only then will I relax. And so, the happy ending to this story is…………..
My many thanks to all the collaboration on this beautiful representation of my work.
Thank you Christina and David for giving me the opportunity to do this for you.
Thank you Rosie, for the tremendous sewing, insight on design, and perfect fit.
Thank you Andrew Holman for your eye in the camera capturing the most perfect wedding moments. www.andrewholman.com
Thank Giovanni, (my love) for helping me make the very heavy frames and for always supporting my talents.